is a
clearly defined world of images, in whose overwhelming infinity all real, that
is achievable to the mind, things consist in. Nowadays the old paradigm appears
to us in the contemporary terminology. There it is:
The
four-dimension sphere is an image appearing from the idea of two
interpenetrating three-dimension spheres where each point of the one touches
each point of the other.
And now
breathe, as my Muse says.
While analyzing
the Great Yantra I came to the reasonable assumption that the flow of events
happen in the spaces concluded between a dodecahedron and an icosahedron, each
peak from the one touching each peak of the other. It can be immediately seen
that the interaction is asymmetrical, just as five triangles interact with
four. The uncompensated flows are the female dominant and most probably
selfsufficient Force.
There is no
mathematical device that can describe this averaging itself, appearing space – section
between four and five dimension space. The images however appearing from the
text could almost be touched. Those images are the paintings I like.
Those images, beyond
senses and objects, beyond the attainable of the mind, are the Tangra space.
You have sensed it,
haven’t you!
You can observe this
reality breathing in the image of the Dragon.
This is a song
recorded by Rayko Zhinzifov, in the late 19th century, somewhere in
Macedonia.
The Dragon.
A young maiden was
sweeping the yard. At some time her mother came worried to look for her
And when she raised
her glance….
…a golden braid is
winding between two clouds
And the image of the Female
Dragon /Lamia/
Krali Marko is
dragging through the plain the tree of knowledge – the tree with the golden
apples
And dark mist fell
down over him and from the midst of it fire was fluttering!
Can you image the
Creation of the Universe rising from the creative intercourse between the male
and the female image of the Dragon? Makes you think of Stephen Hawking, doesn’t it!
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