Before, as my friend Professor of Painting Vladimir Ivanov says, painters were either good or bad. Now they are either known or unknown. Damian
Hirst is the most famous and expensive living artist in the world nowadays.
Perhaps, coming after our Christo. The difference between them is that Christo
is a painter. You think, may be, we are discussing painters. False. We are
discussing sales technology, and even that is not so exactly correct
We are discussing “Who is Who in the world of art” within information
society.
Back in 1991 I encountered that problem. The great, still unknown to me
painter Nedko Boutzev had arranged a presentation of Contemporary Bulgarian Art
in the USA. His list contained 17 people. The exposition was in an emblematic American
university. The event was organized by a foundation, which had previously
presented in the same university the art of South Africa, Argentina and Cuba of
course. That was in Cuba where the beautiful president of the foundation and Nedko
happened to be fellow students at the Academy of Havana. Connections work over there
as well.
At my home at the time
we were talking about the exhibition’s organization and I was greatly impressed
that a boss as big as her has not yet turned 30. We are a small foundation, she
told me, we are financed by a foundation operating by continents. I also could
not understand, a stupid idea in my opinion, why we should present a nationally
significant concept in a somewhat university. You don’t get the point, Nedko was lecturing me. Outside university, it’s pure business. You
see, an investor wants to invest in a certain area of contemporary art. He addresses
the relevant agent. The agent brings to his attention a few artists with ideas,
exposed in the university gallery, artists similar to the market conceptions of
the investor. They choose one, sit down facing the painting and together with
the PR agency identify the target group of customers of the paintings, which do not yet exist even in the artist’s
head. Several years of hard work to develop the market, from one side and
the cultivating of the artist’s personality, from the other, so that he can be
the holder and the image of the trade mark.
He is the trade mark. A series of exhibitions of
unparalleled
success take place in the public space. Everything is sold out. Everybody
has won a lot; the investor has managed a turnaround in cash flow. Even Art in
America has highlighted it!
Our professors speak foreign languages and start promoting their new vision in front of the students. Our provincial artists abandon
their own ideas and start “copy” to keep up-to-date.
Our Arts Institute rearranges the list of Bulgarian artists to comply with the new trend. Our imitators start appearing at the forefront
of our rankings.
In the meantime, Dan
Tenev lives in poverty in Merichlery and writes digital lines on the ridges of
the garbage dumps past Dimitrovgrad. His works can be seen from a satellite.
Search “land art” and you will get the American comments to Dancho’s works. A
great artist! He is paying it off with his life.
Nedko has also paid it
off. His advertisement company was serving Sliven municipality. His employees from
the beginning have accumulated 18 years of experience in the company. The
mayor, Lechkov, was replaced. The big bosses like each other. Lechkov had
worked with Nedko. Nedko had a bank loan to repay. A wife, kids, family….it
works like that.
I don’t know where he is right now. I wrote him an email. He
did not answer.
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