The
conceptual world of John Cage in his most emblematic works
and
Construction
… the gasping time of the XXth century in this languid
and exquisite sound structure by Stockhausen
...this
gulp of civilization could be shared and lived with the percussion band of
Dobri Paliev in Bulgaria Hall - Sofia
back in 1978.
The creation of a musical phrase and the construction
of sculptural structure and form are different “programs” for visualization of
ideas, knowledge and sensitivity… The same knowledge, lacking in our Academy,
which was freely and systematically taught in the Conservatory from the great Bulgarian
musician and composer professor Dobri Paliev. They were seriously studying there theory –
aleatorics and dodecaphony, and later during repetitions were learning
techniques and forms methodology in the latest avant-garde works coming from
the USA, Europe and Japan.
My Sitting
Figure is created later, in 1979. You haven’t thought that such a complete and
mature plastic vision like in my debut could appear on its own on a bare lawn,
have you? An occurrence of some kind, an idea?
A quality vision could hardly be formed outside the
academic environment.
I studied systematically mathematics, music and
modelling. Well, and physics and foundry in the Technical University. However by
way of illustration Mitko Traichev explained to a young colleague “Vesso was like
the Cherry Cannon”. I disagree, but when Mitko tells you something, you should
write it down so that you don’t forget it.
And now, as a dessert, my favorite work of Stockhausen
– “Helicopter String Quartet”
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