We were
learning the craft in the studios of Velichko Minekov, Krum Damyanov and Valentin
Starchev. They are grown as people and artists thanks to Academician Lubomir
Dalchev and Professor Marko Markov. Projects of my student, a true media of
world trends, are present both in the New York Times and in university
publications for Contemporary Art.
My teacher
Lubomir Prahov was student of Professor Marko Markov. Marco and Arno Breker had
shared similar fate – they both were Burdel’s students and had worked in
totalitarian socialist societies. If you take a close look at the techniques of
low relief in Bulgarian coins, German mark and Euro, you will find a surprising
continuity of the school. Totalitarian regime is simply an extreme period in
art and civilization. At seventy-eight at the end of the totalitarian regime in
Bulgaria Academic Dalchev fled to the United States. In his interview on the
BBC, beyond the veil, the journalist asked him:
- What did you miss in Bulgaria so you
decided on such an extreme step?
- I want to die as a Free Painter – Dalchev replied.
- I want to die as a Free Painter – Dalchev replied.
With the four fundamental for Sculpture Park Varna exhibitions I want to present exactly that spirit and its road in the last 50
years. The Spirit of Europe.
Plastic language in
Contemporary Bulgarian Sculpture
in the works of:
Professor Krum
Damyanov
Professor
Valentin Starchev
Professor
Velichko Minekov
Professor Angel Stanev
Professor Emil
Popov
Professor Ivan Slavov
Ivan Rusev
Alyosha
Kafedjiiski
Professor
Stefan Lyutakov
Professor
Plamen Bratanov
Professor Georgi
Chapkanov
Snezhana
Simeonova
Ognyan Petkov
Dan Tenev
Kiril Meskyn
Veselin Dimov
acad.
Vezhdi Rashidov
Project of
Veselin Dimov and Dan Tenev
Varna
Montmartre
Early,
alternative creative community in Bulgaria,
The Garagists,
1975-1980, who founded
the creative community Vulcan:
Dimitar Traychev
Maria Zafirkova
Dobrinka Banova
Nikolay Nikolov
Georgi Lechev
Venko Ivanov
Peter Marinov
Veselin Dimov
Toni Ignatov
Stoycho Nikiforov
Kiril Yanev
Todor Tachev
The exhibitions will present the most significant for me artists of two generations Bulgarian sculptors who kept, developed
and past further the thin civilization thread, working on the dark
side of the Iron Curtain. Created behind the veil of the figure and plot, the artistic
language built by them bears no shadow of spiritual totalitarian yoke and is part of Contemporary
European Sculpture.
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