The raw hidden
strength of time seeps into
the light penetrating through the huge oberlicht encompassing
in its simple squares the
entire ceiling. The halls bring a
sense of final order in knowledge and sensitivity. There three ancient cultures are neatly arranged and
their once eternal power and grace
have shrivelled like mummies in crates.
I am smoking on the
balcony overlooking the old park of
the hotel. A cold morning. The grey having wrapped the trees is
not fog - rather the
sea moisture coming
over in waves. For several days,
while smoking, something
slowly brightens in me and roams the Pergamon Museum in Berlin.
I am standing next to a simple stone sarcophagus from Mesopotamia, I would have passed by, but the living sense of the paintings stopped me. The academic work of
the artist in the expedition.
Document-photography is still black and white, art is still fine, artist is still a profession, not a passion. In the rough brushstrokes on the canvas, desert breathes, the air is permeated by the specific light of these distant for a German lands and his admiration for a simple, eternal and natural world is not an official duty. What a contrast between the feeling
of an exhibit in the hall and the direct experience in his own world!
Ishtar Gate had been amazing and
frightening with its glazed in sky-blue bricks. Lions painted on them resembled
heavenly creatures. The monstrous scale of the city had been standing upright like a weird dream in front of you if you were arriving riding
a domesticated donkey after a
long journey. Your world, sprouted into an
oasis under the canvas of the tent had shrunk somewhere in your soul. Such was
the suggestion of Ishtar Gate the
time and the
purpose it
was created for. Beauty and Power.
And this museum is only power.
And functions. There our old cultures (and they are not old because they germinate each day, with each outright feeling and reflection) are like Jonah in the belly of the whale.
I will remind you
the story of Jonah the
prophet so that you can feel him like a man.
After all adventures, thrown ashore and once willy-nilly betrayed the king‘s
warning to repent in sackcloth and
ashes - climbed a hill to watch how God will punish the city. He lived in a
simple tent, and over time a pumpkin grew over one of the poles. One day Jonah saw it withered. Deeply grieved, he turned to God:
-
You sent
me – he said
- to tell the King to repent,
something which should not be said to a King, and I hid and ran away ... Drowned me with a boat ... Threw me in
the mouth of a fish, threw me ashore and now what!?You should have demolished the city, and what did You do!? I had only one pumpkin and You withered it!
-
If you – God replied – grieve
so much for a pumpkin how am I
to sacrifice a whole city!
You see – they discuss and communicate as friends. And we do not. Maybe we're like Jonah the
Prophet in the belly of his own
Museum. Museum of Functions, Knowledge and Perceptions.
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